The FS5 II’s compact, lightweight body is designed for shooting on the go, including drone and gimbal work. Linear PCM Recording Plug your digital voice recorder directly into … The following cameras are currently supported: Canon C300 Mark II, C500; Sony FS700, FS5, FS7II, FS7, FS7II; Panasonic Varicam LT, EVA1 No. When you shoot UHD internally, the FS5 is capable of two video streams. The benefits of RAW are substantial, but it’s important to understand how best to use them. The FS5 II also has as standard higher frame rates and RAW output at 4K at up to 120 FPS (for 4 seconds), plus RAW output of Full HD (FHD) at up to 240 FPS. Yes. File Extensions: MTS, M2TS. It also gets around many of the internal limitations of the camera and for that reason I think this is a really useful addition to the PXW-FS5. If you’re starting out with the Sony FS5, and going for a cinematic look, here’s a setup guide that will have you up and rolling fast.. Codec. Requires Firmware Version 3.0 With this MPEG HD Recording Upgrade License from Sony, you can enable MPEG-format HD recording on your PXW-X70, PXW-Z90, or PXW-FS5 camcorder. To confirm if your model has the file format or function, check the product manuals. Then select the ‘FS RAW’ option. After grading, approximately 14 stops is achievable in ideal conditions. Next you need to go to ‘RAW OUTPUT FORMAT’ and choose the RAW format that you want. By comparison, S-Log2 exhibits more detail in high intensity areas. Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and don’t include ND filters. Beyond here, you also can follow updates at: The format allows recording videos at resolution range including 1080p, 1080i, and 720p. Can we match the Look with conventional FS5? This look was developed and finely tuned using the same Sony expertise that was applied to Sony’s VENICE cinematography camera. I like to do exactly the same for RAW. First you need to ensure that ‘Source’ is set to ‘SDI’ on the Shogun and set ‘Trigger’ to ‘Sony’. The camera is able to record QFHD (3840 x 2160) at 60 or 100 Mbps. Go to “Format” pull down list to select Adobe Premiere/Sony Vegas> MPEG-2(*.mpg) as the best video format for Premiere Pro. Record and instantly share video messages from your browser. Functions which were added to FS5 after launch via upgrade licenses come as standard with FS5 II except MPEG HD recording license. MPEG video is used in many professional broadcast workflows and is compatible with most NLE software without requiring time-consuming format conversion. Discover the real-world benefits of this amazing technology. Odyssey can also utilize the 4K RAW data to record Apple ProRes in UHD/2K, and HD for the highest quality results. Also See for Sony PXW-FS5. They should be comparable to the filesizes of 422HQ and 444. RECORDING FORMAT: Minimum of 16-bit Linear or 10-bit Log processing. Arri Amira, Arri Alex Mini LF, Sony PMW-F55, Sony PMW-F5, Sony FS7, Sony FS5, Sony A7S, Black Magic Cinema Pro 4.6KG2, Red, Panasonic HDX-900, Sony XD-800, Panasonic HPX-500, Sony EX-3 … No. Choose the preset LUT’s and then scroll down until you see the various Sony LUTs. In this article, I’m going to take a look at just two examples: • Convergent Design 7Q+ and how to record RAW You can select video output VF/LCD or External output (SDI/HDMI/VIDEO) while in QFHD mode. Many shooting situations just can’t handle those restraints. XAVC and MPEG-2 recording on the PXW-FS5. The FS5 records UHD internally at 100Mb/s providing good quality content in relatively small, compact files. Depending on the options you have in your Shogun, you may be able to choose between different recording codecs. But you might want to consider adding a LUT (Look Up Table) on the Odyssey so that you don’t have to view the flat and low contrast S-log2 picture on its screen. Choose ‘Log to Video’ and select ‘Camera’ – ‘Sony’, ‘Gamma’ – ‘S-Log2’ and ‘Gamut’ – ‘S-Gamut’. With RAW, we bypass most of the image processing and output unprocessed sensor data via the HDSDI output so it can be recorded with a compatible external recorder. Though small in size, it incorporates professional features that differentiate … Bringing a smaller, handheld form factor to Sony’s line of digital cinema cameras, the PXW-FS5 XDCAM Super 35 Camera System captures UHD video using a Super 35mm-sized sensor for cinematic imagery. At least 240 Mbps (at 23.98/24 fps) recording. Odyssey can also utilize the 4K RAW data to record Apple ProRes in … You definitely don’t want to expose any darker than this because if you do, your pictures will be noisy and grainy. The PXW-FS5 is the PXW-FS7’s little brother, offering many of the same options with a smaller, more compact form-factor. With an external RAW recorder, it’s possible to shoot at a frame rate of up to 120fps at 4K (for four seconds only) and, again in RAW, up to 240fps in Full HD (with no time limit up to your storage capacity). For example, a 4K RAW output to an external recorder, while internally two streams to drive the viewfinder or LCD while recording HD internally on an SDXC card. This is the sequel to a video I recently posted that compares the internal recording capabilities of the Sony PXW-FS5 to what can be recorded with an external recorder, such as the Odyssey 7Q+. Available file formats differ and some functions are not available, depending on the model. FS5 4K 10 bit Recording. The FS5 II is the camera to go to when you want an easier way to capture video. This look was developed and finely tuned using the same Sony expertise that was applied to Sony’s. Please research which recorder is right for you personally – this market changes very quickly and by the time you read this there may be other options available to you. Set the Frame Rate as follows according to the file format setting: NTSC. Click “Add” button on the top of the main interface to load original PXW-FS5 4K videos to the program. The Sony FS5 uses industry-standard SDXC media and offers a variety of recording options for file spanning and redundancy, as well as the ability to record proxy files with the same name and timecode as the main recordings. Sony PXW-FS5 - 4K XDCAM Super 35 Camera System. The RAW output from the FS5 is 12-bit and that is significantly better than the 8-bit recordings you get in UHD. It can record 8-bit, 4:2:0, XAVC-L QFHD (3840×2160) files. High definition and 4K recording and formats. The LUT that I recommend using with the 7q is either ‘Sony_EE_SL2_L709A-1’ or ‘Sony_EE_SL2_L709A-2’. An electronic, continuously variable ND filter gives precise control over iris settings while retaining full artistic flexibility over depth of field. This is fine for high-end projects, but for practical purposes most people will make use of their external recorder to convert the RAW data stream to an alternative high quality 10-bit codec such as Apple ProRes. Sony PXW-FS5 Firmware Update 72 pages. This part of the course explains the purpose of every feature, control and indicator on the PXW-FS5. When shooting RAW you should set the camera to picture profile 7 which is S-Log2 with S-Gamut. Alister Chapman explains why RAW is a big deal for Sony’s PXW-FS5 and what you need to do to make best use of it. The format also allows burning HD video to standard DVDs so that they can be played on Blu-ray players. Sony RAW is recorded by the Odyssey7Q/7Q+ in 12-bit CinemaDNG files or processed into video and recorded as Apple ProRes. Initially, you will be monitoring S-log2. 4K RAW recordings are far bigger: around 3Gb/s with the majority of the RAW recorders available today. You should contact these companies directly for information about recording RAW with their products. High definition and 4K recording and formats. When the Gamma setting is S-Log3, it will be within the range ISO 2,000 – 102,400. 12-bit RAW will give you great flexibility in post-production but it is very important that you expose carefully to get the most out of it. The FS5 was designed as a lightweight, compact camcorder and internally can record 8-bit 4:2:0 UHD. The FS5 II doesn’t try to restrict the way you use these modes. © 2004 - 2021 Sony Europe B.V. - Terms and Conditions of Website Use. For this review we shot on two Sony U3 Class 10 SDXC I SD cards. This part of the course explains the purpose of every feature, control and indicator on the PXW-FS5. Page 3 Sony FS5 Kit Camera and Lens Batteries and Chargers Condenser Microphone There are two BPU 60 and one BPU 30 battery. There are a few notable changes between the two cameras, namely a different codec with XAVC Long, 4K shooting in only UHD without the option for DCI 4K and a built-in variable ND with the addition of a linear adjustment from 1/4 to 1/128. No. Once you’ve enabled the cameras RAW option when you go to ‘REC-SET’ you’ll see that there are now some extra options under ‘FILE FORMAT’ in addition to the original options. But the file will appear in Premiere as 1080 30p and play back on a 1080 30p sequence at 50 percent speed. The darker on screen image encourages you to expose the RAW data nice and brightly. In addition to its new people-focused colour science, FS5 II can output higher frame rates and RAW output as standard features. External features, controls & indicators. If you go to the ‘custom look’ page of the menu, the custom look function on the Shogun allows you to load your own look-up tables into the Shogun and apply those to the S-Log2 picture. To do this you press and hold the LUT option button on the Odyssey and that will bring up the LUT menu. The easiest way to do this is to use a white card or a white piece of paper and set the cameras zebras to 70%. Ninja V supports a Log Formats and is HDR-compatible (PQ and HLG) supports 10-Bit 4:2:2 ProRes and DNxHR making it the ideal recording monitor for the new Sony FS5 II XDCAM E-Mount camcorder. The FS5 II sits higher in the product range than the FS5. With the PXW-FS5 CAMCORDER, Sony has taken most of their latest technological advances and rolled them into a compact “grab and go” camera that is ideally suited for documentary production, reality TV, breaking news, and event videography. That’s it, that’s all you have to do to be able to record RAW on the 7Q. And if you want to record in 4K, the FS5 supports internal recording at frame rates of 23.98, 25 and 29.97fps. Jeromy Young, Atomos CEO, said: I'm thrilled to be working with the team at Sony to bring this to life. About this guide ... Three Recording Formats: XAVC HD, XAVC QFHD 4K, AVCHD • XAVC HD 4:2:2 MPEG 4 Long Profile (10 bit) • … The original FS5 introduced a bold new concept – a ‘grab and shoot’ compact, lightweight but robust and fully featured Super35 Large Format Sensor (LFS) camcorder. Select REC SET from in/out menu, and choose:. The default look of the two cameras is different. The original FS5 was intended to produce a realistic look for events, corporate videos and news. Page 106 When the recording format frame rate is 25p, the output is either 50p or 50i. Then expose the shot so that the zebras are just starting to appear over that white piece of paper. FS5's Auto ND put to test by Philip White. Sony’s α mount system offers unsurpassed compatibility with both Sony and third-party lenses. Related Manuals for Sony PXW-FS5. Consequently, FS5 and FS5 II have a discernibly different visual feel. The FS5 is compatible with a wide range of external RAW recorders from different manufacturers. Set the Frame Rate as follows according to the file format setting: NTSC. Owners of Sony’s PXW-X70 and PXW-FS5 camcorders now have the option of purchasing an upgrade license to record HD in MPEG2, in addition to their original códecs. Alister Chapman explains why RAW is a big deal for Sony’s PXW-FS5. But when we output RAW, we get 12-bit RAW sensor data which, with a suitable external recorder, means superior image quality. The opinions expressed in this article represent those of the individual author who is independent of the Sony Group of Companies. No, you don’t need to record in RAW to achieve high frame rates. The new camera has a new look, tuned for the sympathetic reproduction of skin tones and portraits. Ideally, you want to expose a little bit brighter than this. The FS5 II has a more “Cinematic” look: kinder to skin tones and the portrayal of faces, and generally more able to capture emotive images. With an MSRP of $6,699, the FS5 shares many of the same performance specs as its big brother at nearly half the size and weight. The FS5 II has an all-new look with beautiful highlights, subtle and carefully rendered face tones and a more transparently emotional feel to its images. This will allow the camera to start and stop the recordings on the Shogun. Professional-level audio format, the same used in recording studios to create CDs. Simply ensure you’re on the latest firmware – Version 2 or higher – and purchase the CBKZ-FS5RIF upgrade. If you want the original FS5 look, you will need to use an FS5, which will remain on sale as a separate model. The FS7 series has 4K internal recording and can also shoot at 180fps with no time limit. This is the sequel to a video I recently posted that compares the internal recording capabilities of the Sony PXW-FS5 to what can be recorded with an external recorder, such as the Odyssey 7Q+. Upgrading the PXW-FS5 to shoot RAW doesn’t require sending your camcorder away. Sony provided a review unit of their FS5K package (MSRP: $7,299), which includes the … The way that the FS5 II preserves highlights makes it easier to grade and with more scope to explore artistic options too. The new firmware adds features such as continuous 120fps recording, lower ISO settings when recording in S-LOG2/S-LOG3, and a new Hybrid Log-Gamma for HDR workflows. There are two flavours of ProRes RAW: LT and HQ. We can’t talk about future products, but what we can say is that we will use the knowledge that we used to create the FS5 II in an effective way in our future camera plans. The FS5 II records with XAVC Long GOP format – Sony’s advanced implementation of the MPEG-4 AVC/H.264 codec which minimizes storage requirements while maintaining high quality 4K imagery and includes support for 10 bit 4:2:2 in HD mode. This comprises a special code number and instructions on how to go online to generate the unlock key specific to your camera. Sony Service Repair Centers. • Atomos Shogun Flame and how to record ProRes. The 4K RAW upgrade is coming next year! The FS5 II has an all-new look with beautiful highlights, subtle and carefully rendered face tones and a more transparently emotional feel to its images. For exposure, Sony recommend that S-Log2 should be exposed with middle grey at 32% and white at 59%. Future-proof your projects by capturing UHD 4K (3,840 × 2,160) resolution. Ultra-High Resolution. You’ll see that you now have an option for ‘RAW and XAVC HD’. When you add the SELP 18105 G lens, lens hood, eye cup, battery (BP-U30), LCD viewfinder, handle and grip (without belt) the weight comes to approximately 2.2kg. With an ND filter to control the quantity of light falling on the sensor, it makes it possible to shoot with narrow depth of field even in bright light. The FS5 II’s ability to create an image of a person has been enhanced, and a new and gentler ability to reproduce highlights gives the camera operator or DOP more flexibility to use light to draw attention to their subjects. You will need to choose the appropriate white balance manually within the picture profile depending on the scene. The PXW-FS5 lens mount, and sensor. Opening up the iris to give a shallower depth of field also means letting more light in and the likelihood of over exposure. Unlike conventional optical ND filters, the electronic ND filter on the FS5 can be controlled from 1/4ND to 1/128ND linearly. The RAW data will be saved as a ‘cinema DNG’ file on the SSD. But it must be understood that 12-bit RAW is not as good as the 16-bit RAW available from high-end cameras like Sony’s PMW-F5 or F55 when used with the AXS-R5 or R7 RAW recorder. Here the S&Q frame rate is 60 fps and the recording format is 1080 30p. About this guide ... Three Recording Formats: XAVC HD, XAVC QFHD 4K, AVCHD • XAVC HD 4:2:2 MPEG 4 Long Profile (10 bit) • HD 1920x1080 60p, 30p, 24p at 50 mbps Accordingly the contents of this article do not necessarily represent the opinions or policies of Sony Corporation or its subsidiary companies. All the inside details on Sony’s radical new Super35 camcorder... © 2004 - 2021 Sony Europe B.V. - Terms and Conditions of Website Use. Sony FS5 Kit Camera and Lens Batteries and Chargers There are two BPU 60 and one BPU 30 battery. The reason we’ve added these specifications is to provide popular standards that exist in the arena of professional entertainment and streaming services. Frame rates up to 120 fps at 4K are possible in 4 second burst or continuous 240fps in 2K RAW with external recorder. As you can see, there are lots of ways of recording RAW from the FS5. In contrast the FS5 II is compact, lightweight and has the potential to output 4K RAW video (max 4 seconds), 240fps in HD (max 8 seconds) and 120 fps in HD for an unlimited time. SDI and HDMI can not be output simultaneously. External features, controls & indicators. Then you can press the one push auto iris button or a button assigned to the auto ND function to gain an exposure that is 1.5 stops brighter than the standard level and that’s going to give you a really good result in the vast majority of shooting situations. Though small in size, it incorporates professional features that differentiate it from consumer and DSLR/mirrorless cameras and make it suitable for use on productions as … So whether buying new lenses, or making use of lenses you’ve already purchased, the FS5 makes it easy. Or you can simply drag and drop the videos to the software. Home. It can record 8-bit, 4:2:0, XAVC-L QFHD (3840×2160) files. Recording MP4 movies. Record to SD cards. MPEG 2 These are both gamma curves that help to achieve 1,300% dynamic range after grading, but there are subtle but important differences. For documentaries and other types of shoot where you need a more robust way to deal with highlights, try S-Log2. This offers some of the quality benefits of starting with the RAW data, but with a much smaller file size that makes it more manageable. Recorded file and folder structures. These LUTs deliberately make the on-screen image a little bit darker. [1] Add colour gamma settings [2] Add compression. In the future, there will even be the option to record RAW externally (details to be announced). To confirm if your model has the file format or function, check the product manuals. This option allows you to output RAW over the HD SDI and record XAVC HD internally onto the SDXC cards at the same time. For an all-Sony solution, use a Sony AXS-R5 recorder with an HXR-IFR5 interface unit. The FS5 II can also shoot in HDR outputting in HLG. FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality and a frame rate of up to 240 fps. The default look is different. Will the new look of the FS5 II appear in future versions of the FS7? Streaming, FTP, and remote control via WiFi with Content Browser Mobile (CBM). The PXW-FS5 lens mount, and sensor. It is a colour space developed to use with S-Log curve. RAW is not a magical solution for poor lighting and it won’t give you any improvement in the camcorder’s low-light performance. Owners of Sony’s PXW-X70 and PXW-FS5 camcorders now have the option of purchasing an upgrade license to record HD in MPEG2, in addition to their original códecs. UPDATE: I have uploaded a new version of this video that has Noise Reduction applied to the externally recorded RAW/ProRes files (see below). The internal HD on the FS5 is pretty amazing, hard to believe the files are so small. You can also shoot Full HD at 240 fps to an SD card with a recording time limit of 8 seconds. If you wish to record 4K RAW at 50 or 60 frames per second, you need to be very careful with your choice of recorder as many of them can only record RAW at up to 30 frames per second. The Convergent Design Odyssey can also convert from RAW to ProRes, but I’ll take a closer look at that type of recording using the Atomos Shogun as an example. The numbers (24, 25, 30, 50 and 60) represent how many times the video frame is displayed per second. Normally, controlling exposure is a precise balance between ISO, shutter speed and iris settings. Why is the new look the default setting, rather than just adding it as a new Picture Profile? Part one of Alister Chapman’s expert camcorder advice. Right now the only way to record these new formats is on the Atomos Shogun Inferno and Sumo19. Sony provided a review unit of their FS5K package (MSRP: $7,299), which includes the SELP18105G servo zoom lens. I haven't bought the camera yet (still waiting for them to ship) but have been asked by potential client to provide 4K 10 bit. Sony feels that you should be able to use the new, refined look as soon as you buy the camera and turn it on for the first time. This is the User Group for the Sony PXW-FS5. I haven't bought the camera yet (still waiting for them to ship) but have been asked by potential client to provide 4K 10 bit. The format can be considered as another variant of H.264 format and is capable of capturing high-quality videos. FS5 II does not replace the FS5, which remains a current product. Camcorder Sony PXW-FS7 Operating Instructions Manual. But for predictable and dependable results, it’s a good idea to use them with the corresponding Log modes (S-Log2, S-Log3) and using the preset Picture Profiles will ensure that this happens. Sony has developed a unique method to vary the optical density of the LCD used in the camera’s ND filter, which results in a very even optical density across the filter, coupled with the durability that’s needed for professional use. To allow the camera to trigger the Odyssey to go into record, select ‘record trigger’ and set that to ‘camera’. Sony FS5 Kit Camera and Lens Batteries and Chargers There are two BPU 60 and one BPU 30 battery. This depends on which Picture Profile is selected. It's great to add the Sony FX9 to the large and expanding ProRes RAW ecosystem. The FS7 II and FS7 are more advanced than the FS5 II. Do remember though, if you are baking in a look you are no longer recording S-Log2 and you may lose some of your post production flexibility. All audio is captured uncompressed in 32bit, high fidelity WAV format, and can be converted to digital Mp3 format (the universal format for all media players on computers, phones, and tablets). The default codec is Apple ProRes. Unlock RAW and you get an additional stream. Page 1 Sony FS5 Quick Start Guide...; Page 2 This is a professional HD and 4K camera with broadcast quality codecs. Condenser Microphone. Exactly what you will be able to record will depend on the recorder that you choose, but in most cases it’s going to allow you to record at least 10-bit if not 12-bit and usually up to 60fps in full DCI 4K. Condenser Microphone. On the Convergent Design Odyssey you need to go to the setup page where you choose the camera and select ‘Sony FS5’. The FS5 is the world's first Super 35mm camcorder* with a built-in electronic variable Neutral Density (ND) filter, further expanding the depth of field capability of its large format sensor. It’s the world’s first Super35mm camcorder with a built-in electronic variable Neutral Density (ND) filter. If you press the square yellow monitor mode button, you’ll see we have some different monitor options. The FS5’s E-Mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sony’s E-mount and A-mount lenses. Creative tips for both experts and beginners. Can I match the FS5’s default look (i.e. S-Log 3 has characteristics that are comparable to film, with more detail in low-intensity areas of the image. When loaded with two cards, the FS5 can simultaneously record proxy files along with your desired resolution with the same name and timecode. You can mix and match them as much as you like for creative and artistic reasons. File Format: XAVC HD REC FORMAT: 1080/24p 50Mbps XAVC HD will give you the best quality image this camera is capable of, in gorgeous 10-bit, which can withstand a lot of color … This sets the camera to the correct gain/ISO and sets the RAW output level so that the recorder will be able to process it correctly. Several shots where done in 120fps with the FS5 mounted onto a DJI Ronin. You still record S-Log2 and s-Gamut but, because you’re now monitoring using Rec-709, exposure and focus is easier to judge as the image has more contrast. Depending on whether the camera is set to 50i or 60i, you’ll see some different options ranging from 24fps up to 60fps for the RAW output. XAVC and MPEG-2 recording on the PXW-FS5. We staged different scenes in a variety of difficult lighting conditions. The FS5 II’s XAVC is also “wrapped” as MXF, a professional standard that helps to maximize compatibility across NLE’s and other post production software. Bringing a smaller, handheld form factor to Sony's line of digital cinema cameras, the PXW-FS5 XDCAM Super 35 Camera System captures UHD video using a Super 35mm-sized sensor for cinematic imagery. UPDATE: I have uploaded a new version of this video that has Noise Reduction applied to the externally recorded RAW/ProRes files (see below). Visually, the body of two cameras look the same apart from a black ND dial on the FS5 II and the model name on the SD card door. Firmware Ver. Alister Chapman is a veteran broadcast cameraman with 20 years of experience and runs his own company, Ingenious, which is a one-stop shop for video production, TV production and multimedia. You can also record super-slow-motion 2K RAW at up to 240fps continuously if your chosen recorder supports this, as well as bursts of 4K super-slow-motion using a burst recording mode. Part of the focuspulling.com community, this is the best place for seeing and sharing video samples.